Why the original Texas Chainsaw Massacre is still the scariest movie ever made
With the announcement of the revised Texas Chainsaw Massacre Netflix is coming out in 2022, and in hindsight, there are about a million and one sequels, remakes, reboots, etc., with a 1974 original that started it all. Sometime in the summer of 1996, when I first saw the film, I was a child, at home alone in my country house, since trying to adequately describe the sheer state of catastrophic horror the film left me I have struggled for decades since. Maybe it helps that even at 13 I’m a movie buff, so I have to always be fully committed to the narrative delivery of the film I’m watching.I say this because some of my friends later found it tacky, but then again, they found scream (1996) Scary haha. But there’s something about this fast-running, obscure (I’m sure VHS didn’t help me), perpetually gritty horror film. It’s almost like surviving the creepy trance that happens on the seventh circle of hell. The only consensus I can make with my 13-year-old brain is that what I just watched was actually a documentary that went from the summer of 1973 to a snuff movie illegally on the shelves of the underground horror section. -the-road home video.Remember, there is very, very little blood and blood in it Texas Chainsaw Massacre; No, what I just went through, and what disturbed me for weeks afterward, was by using pure atmosphere and Filmmaking Mastery. What I saw that summer was the greatest horror movie in the history of the medium. that’s why.
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movie real horror
Toby Hooper’s films may seem odd to the first time viewers. We know it’s a horror movie if for any other reason than its title, but the footage and cinematography is gritty, crackling, super cheap, and we’re watching a movie about travel Hippie Documentary. There’s nothing glitzy, exaggerated, bloody, or manicured like the 2003 remake; just a camera captures a damp van driving through the desolate landscape of central Texas. In the 1950s and 1960s, real cinema was a movement in filmmaking that attempted to capture real, everyday footage without any narration or external display—a moment of truth, without regard for the mundane or irrelevant destruction of filmmakers trying to tell the story. That’s how Hooper made the film, and we can literally feel the heat, discomfort, and daily life of the locals, friends whose vans meet on the way to one of their grandfather’s old properties in the woods. This style also makes the horror scene almost unbearable once it starts.
Creepy, claustrophobic atmosphere, soundtrack and sound design
The film is also tensely claustrophobic. Old houses in rural Texas landscapes, gas stations displaying questionable meats, the interiors of vans, and even on the highway in the final scene of the film’s saga—all of which are real and pure location shots. The film is also creepy in ways that are hard to quantify. The film begins with the most serious-sounding Edgar Allan Poe-esque narrative, warning that what we’re about to see is real (well, it’s based on Ed Gein in a way). As if that wasn’t creepy enough, then we’ll hear forensic cameras take pictures of desecrated bodies recently dug up in a nearby cemetery. The camera flickers briefly over a piece of rotting flesh, with each cut sharply switching to the next with the sound of the camera. Take the scene where Kirk slowly but surely observes the Sawyer’s house, while Pam sits angrily on a nearby swing. As Kirk kept knocking on the door, all we heard was the strange sound of pigs coming from the back of the house. Kirk steps in, opens an ominous-looking metal door, and Leatherface appears to kill Kirk with a sledgehammer, then slams the metal door shut—the sound design of the entire scene is horrifying. The soundtrack by Hooper and Wayne Bell is also very tense and tense, especially in the “dinner scene”.
creepy depraved fact description
The documentary-like style of filmmaking also brings forth a candid and factual account of the horror. The Sawyer family were murderous cannibals and grave robbers, along with Hooper and his accomplices. No distracting filmmaking equipment is used to reinforce or exaggerate these horrors; everything is fact. The writers don’t try to explain why Sawyers are who they are, nor do they try to dig into some kind of backstory to add to the character dynamics. All of this adds to the candid and real-time feel that the film conveys.
chase scene through the woods
After Kirk, Pam, and Jerry are finished in front of Human Skin Face, Sally and Franklin fly into the woods to find them at nightfall. We know that Leatherface may have heard the two of them scream relentlessly for their friend, and Hooper brilliantly never lets him leave the house to chase them.It surprises us as Sally and Franklin walk through the woods, and when Leatherface comes out of nowhere and kills Franklin in a wheelchair, one of them best chase scene Horror history begins there. Nothing can fully describe the sheer brilliance of this scene.
the rhythm of the film
Finally, the overall pacing of the film also adds to its strange power and terrifying immediacy. Hooper, along with cinematographer Daniel Pearl and editors Sally Richardson and Larry Carroll, skillfully set each scene and provided enough tension and atmosphere to send the audience into the frenzy before panicking. condition. This style has been imitated since 1975, but the original is still the best. Many may disagree, but TCM ’74 is the crowning achievement of horror movies.
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