355 Problems to Avoid
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Joining the spy-thriller genre are new female-led films, 355, starring Academy Award winners Jessica Chastain, Lupita Nyong’o, Penelope Cruz and Miss Lam. The film follows a group of agents who need to band together to retrieve a top-secret weapon that has fallen into the hands of mercenaries. Now, 355 Not based on IP, nor a sequel/reboot; however, the female-led espionage feature joins a long list of action thrillers that have packed the genre for decades, including the Jason Bourne series, The trailer says the film is from the same studio that made the unforgettable movie.This article will focus on the following issues 355 Needing to avoid this can help a movie stand out in a good way.
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Women are not only strong
The level of talent in this project is very appealing, as Jessica Chastain, Lupita Nyong’o, Penelope Cruz, and Lin Misheng are all very talented actors. However, it has been proven time and time again that a great actor cannot overcome a bad script. obviously, 355 There needs to be an engaging and cohesive narrative that seamlessly blends action, mystery and drama. However, one of the core problems of most modern female action films is that women tend to be strong, yet they lack any other characteristics that would flesh them out as three-dimensional human beings. To be clear, I have no problem with women being portrayed as powerful ass kickers on TV and movies. Some of my favorite female characters are Sarah Connor (from the first two Terminator films), Beatrix Kiddo aka The Bride, and Warrant Officer Lt. Ellen L. Ripley; however, the point of these characters is that they’re more than just powerful level.
in the first terminator, Sarah Connor was really just a regular Jane until her world was turned upside down by Kyle Reese and the Terminator. From there, she evolved into a strong woman who wasn’t afraid to show the emotional scars she’d left in her war with these nearly indestructible machines. Terminator 2: Judgment Day. Beatrix Kiddo is an elite bastard who actually feels remorse for some of the people she kills, especially Bill himself. The scene in the bathroom where she bursts into tears for murdering the man she loves shows that she’s not an emotional robot and doesn’t feel the emotional side effects that come with killing. When it comes to action vehicles these days, it often feels like studios are afraid to show women in vulnerable situations.take gunpowder milkshake Take Sam, for example, a top fighter, smart, and lethal with any weapon; however, she clearly lacks any real weaknesses. Her character was never vulnerable emotionally, hell, her body was barely vulnerable either. This basically makes her a perfect character. More importantly, it makes her a boring character. The way it is, no one is perfect. We all have our strengths and weaknesses. It’s important to humanize your characters by making them emotionally and physically vulnerable, as this helps them become relevant in the eyes of the audience. John McClain isn’t memorable because he’s an action hero villain. In the first film, he put his heart on his sleeve, especially his relationship with Sergeant. Powell on how he failed his wife. This was the first time men showed their softer side in an action movie, and the whole genre got better.if only 355 The different levels of these strong women can be tapped and then they will have a charismatic character.
Please don’t draw the line between men and women
Feminist films have recently decided to make it both male and female. Men are usually ignorant, misogynistic bastards who look down on the female species because of their gender. Is there such a man in the world? Yes, but when your whole world is filled with men with these toxic traits, you send a clear message that all men are bad.one of the great things about wonder woman It’s a pairing of Steve Trevor and Diana, and both characters are portrayed as strong. What’s more, Trevor never rips Diana up because of her gender, and vice versa. In fact, Diana was never looked down upon by the men in the movie. However, let’s take a break from the political message that feminist films tend to preach.
The reason why male versus female roles is bad is because there is no suspense to classify one side as good.back gunpowder milkshake, because Sam, Scarlett, Madeleine, Florence, and Anna May are the protagonists, so the battle with the villains sounds hollow because no one ever believed the villains would come forward. Sure, Madeleine is dead, but since this is a feminist film, there’s no doubt that good will triumph over evil handily, and who will come out on top. Unfortunately, the political message outweighs shaping a good opponent who happens to have a penis.if 355 It would be nice to go the feminist route, but it documents how these types of films fail at the box office.just ask Charlie’s Angels, Birds of Prey, or Black Christmas. There’s nothing wrong with having a man play the bad guy in a female-led movie, but when the focus is on how bad his sex is rather than making a compelling villain who happens to have a penis, any tension goes away, because the result will be in almost every way to end a feminist film.
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