Why King Kong’s Dino De Laurentiis remake is underrated
Long before Godzilla helped define Japanese cinema in the mid-20th century, King Kong defined the possibility of giant monsters in American cinema. Original version from 1933 King Kong It was a huge success in movie theaters across the country — which was even more impressive during the Great Depression. That movie showed what could happen when artists collided to create a Bizarre Adventure story with equally impressive stop-motion special effects. Thankfully, the concept of remake/reboot fever is largely a 21st century phenomenon, but occasionally, a classic movie gets the remake treatment, which is what led to the 1976 remake. King Kong. With today’s remake, Kong ’76 is a standout and a classic example of how to do a remake the right way. The film stays true to the majestic spectacle of the original, but changes the story so that it can stand on its own.But in hindsight it’s always 20/20, and in 1976, the movie was criticized by critics Despite earning a sizable but disappointing amount at the box office. But De Laurentiis’ remake is somewhat irreverent. Rather, platitudes of dialogue, harsh themes, or pure ’70s cheesy are always up for debate. To me, there is something special about this movie that keeps it from being a total bomb. that’s why.
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Movies are metaphors for environmentalism
Gone is filmmaker Carl Denham’s quirky adventurous spirit in the remake, and the reason for the trip to Skull Island is to retrieve its oil reserves. Charles Grodin’s Fred Wilson is both scruffy and the epitome of a supercapitalist, but he still manages to make us laugh under his greasy businessman exterior. The rape of the environment fills Kong ’76’s subtext. So much so that when the crew arrived on the island and found that its oil was not ripe enough to go into the car and engine, the discovery of the hole gave Wilson something to take home, rather than accepting complete loss, and something that was product promotion. Finding oil, destroying pristine wilderness, harvesting a giant gorilla, and just being McDonald’s Uncle for the oil group might not be what audiences expect, but story-wise, the film’s themes are actually moving and well executed. very good.
Dwan is more likable than Ann Darrow
Fay Wray’s iconic Ann Darrow was replaced by a character named “Dwan” — or, “Dawn” swapped the two letters when she pointed it out. Jessica Lange (in her film debut) plays Dwan as goofy, compassionate and, of course, intoxicatingly beautiful. She’s more engaging on screen and manages to imbue the character with a range of emotions and nuances, which isn’t to say Fay Wray’s signature screams and moments of pain are bad. But in the remake, Kong’s Palm is a far more lively performance, and Lange is nowhere near as bad as highbrow critics claim. Unfortunately, the film’s infamous reputation at the time stalled her acting career for a few years — but it certainly didn’t last long.She barely screams in the movie, which is something Peter Jackson inherited with Naomi Watts’ Andaro in the second remake King Kong (2005).
The movie features 40 feet.animation hole
Although De Laurentiis would eventually demand that much of the film would depict an actor in a gorilla suit (designed and played by Rick Baker), he did order a full-size 40-footer.Build tall animatronics used in movies, handled by legendary visual effects artist Carlo Rambaldi.Unfortunately, in the mid-70s, the use of animatronics made it hard to make it look believable – you just have to look jaw’ Bruce Shark sees difficulty. Spielberg had trouble getting the animated shark to work properly in the ocean, while DeLaurentiis and director John Gillerman faced higher demands to make the 40-foot cyborg’s movements and walks look reality. While Robo-Kong was a technological marvel in the years before CGI, it turns out that the crew’s suspicions were right, and the machine was only used in the film for about 15 seconds in total. The rest of the film features Rick Baker in a suit and a robotic arm.
King Kong ’76 is more of an epic
Compact and concise, 1933’s original King Kong 100 Minutes is one of the best pure-adventure films ever made. But when you watch that movie and the ’76 remake in a row, the remake feels more like a grand Hollywood epic. The film was shot almost entirely in exotic locations, including extensive location shoots in New York City and the World Trade Center. The film is lush and grand, and while there are fewer monsters in the film (just a giant, fake-looking snake), the expansive setting of Skull Island is pleasing to the eye. Richard H. Kline’s photography was nominated for an Oscar, and well deserved. The film is also bigger and more ambitious in scope and detail.
The surprising emotion of this movie
To be fair, 1933 King Kong Not designed to be emotional, we may or may not feel a lack of emotion for Kong once he falls to his death from the Empire State Building, which entails playing up Denham’s infamous “Beautiful Kills the Beast” line.So the original ending King Kong Not tear gas. But the remake completely changed all that. In Kong ’76, we feel the same way about this version of Kong, thanks to great performances from Lange and Jeff Bridges. His killing atop the World Trade Center was also more vivid and bloody, and we saw and felt the pain Dwan felt when Kong rolled over and fell to his death in the street below. The ending is also a bit depressing and bleak.
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