Why Finding Mr. Goodbar Needs Blu-ray and Streaming Versions
The 1970s was indeed a golden age for cinema. Year after year, as the labelled “sexual revolution” plays out in all its hedonistic glory, American and foreign imports elevate the art form to new heights of grit and urban realism.But with every final details and taxi driver After its release, some equally good films fell through.Richard Brooks Looking for Mr Goodbar (1977) is such a forgotten film. Based on Judith Rossner’s best-selling novel, the film stars the dramatic Diane Keaton, who plays the teacher of first-grade deaf students by day and a promiscuous bar-hopping by night By.The film is dark, gritty, insightful, disturbing, especially the haunting final scene, so disturbing that it often sees the film classified as ’70s horror movie – Stephen King. But despite its initial acclaim and notoriety, the film never moved beyond the simple VHS and Laserdisc released in the 1990s (remember Laserdisc?).No DVDs, no streaming licenses, except for occasional uploads YouTube Or Vimeo, they don’t stay up for long. The reason is largely based on the film’s soundtrack, which is filled with classic ’70s soul and disco tracks that, mysteriously, were only cleared from the long-ago VHS releases. But is the movie worth watching? I wholeheartedly think yes, let me tell you why.
The perfect showcase for American urban culture in the 1970s
Fiction Looking for Mr Goodbar The story takes place in Manhattan, but oddly, the film never sets the scene, although it’s easy to see that the outdoor nightlife scene is Chicago’s Rush Street area. No matter where it is set, the gritty and edgy vibe that seems to pervade the major American cities of the 70s is beautifully captured. Each of these scenes is filled with incredible energy, classic pop and rock songs, and the carefree vibe of the sexual revolution, and before the arrival of HIV in the early 1980s, home one-night stands were the norm. Something raw and true to the ’70s movie, this one transports you to the heart of squalid, cramped city apartments and smoky, disco-lit downtown bars. But it’s the soundtrack that really stands out, as seen in the film’s inventive opening sequence.
Great performance by Diane Keaton
Before the film, Diane Keaton was best known to audiences for her role as Michael Corleone’s (Al Pacino) long-suffering mob wife Kay in the film. godfather (1972) and godfather part 2 (1974). After finishing Woody Allen’s Oscar-winning work, she was cast as the lead role of Theresa Dunn in the film. Annie Hall, Released a few months before the movie. While her lead roles in Woody Allen films are witty and “dumb,” her turn as Teresa is more introspective, shady, and decidedly adult-oriented — something she’s been so long and famous for so far The most dangerous role in my career. Keaton’s Teresa is an extreme contrast; and a perfect example of the flawed blend of gray tones that make up one. Teresa maintains two distinct social dynamics; her family, friends and students by day, and her thrill-seeking shabby bars and discos by night. Teresa’s shadow life is not necessarily repressed because she has nightly vices, but her morbidity is also more dangerous because she doesn’t want to hide this shadow life from her role as a school teacher. In fact, she enjoyed the thrill and danger of being exposed.
Keaton’s Teresa is also an example of feminist ideology in the last years of the Sexual Revolution; her independence and breakaway from the patriarchal model, her father’s ultra-strict and masculine family, was supported by a strong tendency to independence— If it means not having to play the woman version of the toxic man, she’ll even be alone in what she wants her to be. Keaton also does a good job of showing Teresa’s self-destructive tendencies. Her disregard for her own safety and lack of interest in anything “normal” suggests a possible borderline personality disorder. At the end of the film, Teresa brings back the wrong person – a repressed homosexual whose paranoia triumphs over him after he falsely thinks Teresa is mocking him and questioning his masculinity. attacked violently. The final scene is not for the faint of heart, but it has to be seen to believe it. Diane Keaton does it all with astonishing realism.
The cult status of the film and its reappraisal as a horror film
Also thanks in part to its discontinued status in the nearly 45 years since its release, Looking for Mr Goodbar It could easily develop into a cult classic. The last scene, which I won’t spoil, is a 5-minute horror exercise that was meant to be an edgy drama. The tense, claustrophobic setting, Teresa’s growing anxiety over being brought home by the wrong one-night stand, and the vibrant cinematography all merge into a blunt, unsettling end scene that leaves the audience feeling a sense of certainty, inevitability shocking conclusion.
The film’s message still resonates today
Looking for Mr Goodbar It’s a hidden secret of ’70s cinema, and it’s a shame because the film’s themes and message still resonate today. Teresa’s actions are risky and questionable, but she wants to live on her own terms, not society’s usual dogmatic expectations, this is what we need to see more movies in a polarized society, my side with your side. Like Teresa, no matter how organized and maintained we like to think of our lives, we draw a line between our public life and our shadow life, which is not the healthiest way to experience life. Perhaps one day in the future, more people will be able to discover this long-lost but important film.
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